Alfred Lord Tennyson, Maud (1855) The Origins of Maud Maud is based upon Oh! That twere feasible (1833-34; pub. 1837). Note that it was originally pen without 71-110 (and thus the original meter was much more same to II.141-238, with the exception of one verse, II.221-28) |Oh! That twere possible |Maud | |1-28 |II.141-70 | |29-35 |II.184-96 | |36-54 |II.202-20 | |55-64 |II.229-38 | |65-70 |II.196-201 | |71-76 |II.221-28 | |82 |II.82 | |83 |II.90 | When Tennyson wrote Maud, how did he use the original poem? Where does it appear in the poem and what happens before and after? The poem expands upon the psychic encounter of the fabricator, who is pursue by some crime implied by filiation (96) and seeks gentleness in eternal love: the other (104) will squeeze him in the sky (110). Maud expands on this, providing details of the scope of the fabricator and his crime (Part I), and the eventual return to sanity (albeit in the loosest possible sense) by throwing himself into war (Part III). Note that a physique of themes ar retrospecti vely applied to the narrators history. For e! xample, the red-ribbd trap ample of echoes (II.24-25) is inversely applied I.1-4, showing that the narrators criminal potential exists as part of the his psyche. familiar organise of Maud Following are some examples of a repair rime scheme in Maud...If you want to get a full essay, order it on our website: BestEssayCheap.com
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